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Event Details |
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Cure Salee
Cure Salee Trip
Caravan Itinerary –
Thurs, Sept 14th - Depart
Friday, Sept 15th – Depart Maradi
for Tahoua . We will meet up with and caravan with a group from a CLO
trip coming from
Saturday, Sept 16th – Cure Salee
Festival and overnight in tents
Sunday, Sept 17th – Cure Salee
Festival and overnight in tents or possible overnight trip to Agadez.
Monday, Sept 18th – Return to
We will be camping within the Governor of
Tahoua’s compound in In-Gall for security, with a latrine, bathing &
cooking water provided. You will need to bring your own food and drinking
water. There is no hotel in In-Gall.
Let me know as soon as possible if you want
to go and if you can drive. We will need 3-4 SUVs. The trip should
not cost more than $300 even with an overnight in Agadez. If we decide to
go to Agadez for an overnight, we will be staying at the l'Auberge D'Azel
http://www.agadez-tourisme.com/en/index_en.html.
Following is some information on the
festival.
The
thunder of rainy season in
Ideas
about the origins of the Fulani range from
These
Wodaabe are in the InGall area to provide their animals with salt; some will
travel as far north as Tiggidi n’Tessoum where salt is gathered in crystallized
cakes from evaporative pools of water. The tradition, possibly hundreds of
years old, is not easy to maintain and even the Cure Salee—an event that dates
back nearly a 100 years under the name “Zulee,”—is, each year, increasingly
formalized, government influenced, and organized with tourists in mind.
There
is a small window in time for nomads and their traditions—and the spectacle of
the Wodaabe dancers is a glance through it.
The
Wodaabe men show their beauty, and search for beauty—in the shiny zippers,
locks and keys incorporated into their gris gris good luck charms; in the
designs embroidered into their their ankle-length embroidered tunics. Lines of
red, orange, yellow, and blue represent themes of a winding road, snake,
visitor and encampments. The tunics may take as many as six months of a woman’s
work. They seem to be designed to accent the men's curved narrow waists and elongated
features. Below the tunics the men wear tanned goat skins, thin and supple.
Leather
arm-bands hung with feathers and cowrie shells emphasize the lissome arms and
thin fingers. Chests and backs are criss-crossed with strings of white beads.
The
reds, greens, yellow, oranges and blues of the intricately embroidered indigo
and black striped clothes are lost as the sun sets on the marketplace and
darkness deepens.
They
descend and rise as it begins. Clapping, slowly, slowly. “Ya Naaaa,” “Ya Naaaa.”
This
dance, the yaake, brings attention to the features the Wodaabe consider most
important: eyes and teeth. This is why the eyes roll and widen; why the cheeks
puff and split. But with this dance it is not only the physical features they
display, charm and charisma are at work as well.
The
line of dancers ebbs and flows. A poem is woven as they call and respond. Each
person in turn chooses a word to call and the others repeat. It is like a
game—who will call next? Who will choose the next word?
Text
and photos of Wodaabe Dancers are from National Geographic.com.
Here
are some links to more information and images.
http://www.nationalgeographic.com/dinoquest/profile_01_dispatch3.html
http://images.google.com/images?svnum=10&hl=en&lr=&q=In-Gall+Niger